White, GA, 2014

While wandering through the rusted remains of Old Car City, I came across this shattered window—its fractured geometry catching the light like stained glass in an abandoned cathedral. I was drawn to the contrast between the sharp violence of the broken glass and the soft decay settling into the car’s interior. For a moment, the vehicle felt less like a relic and more like a witness—holding the memory of motion, now stilled and dissolving. This image became a meditation on what’s left behind, and how beauty sometimes emerges not despite ruin, but because of it.

Archival fine art pigment print on museum-quality Hahnemühle or Moab fine art cotton rag paper. 

Signed and editioned recto; signed, titled, dated verso. Limited edition prints include a certificate of authenticity.

All sizes are print only, no frame or mat included unless noted.